![]() Good for film scoring with different sounds and articulations. Keyswitches - Designated notes set the target layer (you define the lowest keyswitch so if set to note C2 and the Selector has 3 layers, C2 switches to layer 1, C#2 switches to layer two, and D2 switches to layer 3).Random Other - New note randomly selects a different layer (to guarantee a change each time).Random - New note randomly selects a layer (nice with a pile of different audio FX).(Also ideal for loading multiple layers with HW CV Instrument to create polyphony with Eurorack hardware.) Always starts with the first layer for more predictable results. Free Voice - New note uses the first free layer.Free-robin - Round-robin, but skips used voices when possible.Round-robin - New note triggers the next layer (for notes in series, or individual notes within a chord).Manual (same as the behavior up to 3.1.x) - Target layer is set by user, controller, modulator, and/or automation.Instrument Selector, Note FX Selector, and audio FX Selector now have voice modes in the Inspector for cycling thru the available layers in various ways.Updated Devices: Selectors (Container) Get Voice Modes 1 by 1 - Executes the full pattern in each octave before moving to the next octave.(This was the Arpeggiator behavior in v3.1.x and earlier.) Thin - Flattens & sorts all notes into one linear shape.Broad - Takes each additional octave in sequence, stacking them up with possible irregular/repeating patterns. ![]() ![]() New Octave Behavior option, used when the Octave Range is greater than one.Release Immediately option uses the final note off to instantly end sound (instead of lasting the full step length).Trigger Immediately option allows notes to start off the beat grid.Option to Allow Overlapping Notes can be toggled on (default) or off.Poly Pressure to Velocity option replaces initial note velocities with any polyphonic pressure message (like those from MPE controllers) received.Micro-pitch expressions are now tracked for each note.Nine new Pattern options, for 17 in total.New Humanize parameter randomizes velocities and step start times and lengths (either earlier or later).Each step now has a pitch offset slider (in addition to the velocity and note length controls), and a global toggle for enabling all steps.New Grid module: Saturator (Shaper) - module version of the device, allowing for polyphonic applications in The Grid.An interactive log display of these controls and the incoming signal.Three Skew controls, for making the loud Threshold, Amount, and Knee controls apply differently to positive and negative amplitudes.Quiet and loud Knee settings, for how gradual each transition is.Quiet and loud Amount settings, controlling how the signal is proportionately changed beyond each Threshold.Quiet and loud Threshold settings, to define each end of the sound.So 3ᴳ is gentle at 18 dB/oct, 1ᴿ is a rough with 6 dB/oct, etc. Filter Slope setting offers two flavors of filter: G modes are a bit more gentle, and R modes tend to be rougher.Basic panel interface with transfer function display, Drive amount, Normalize option, low-pass controls for just saturated portion of the signal, and Makeup Gain.Unique signal shaper that works in the log domain (like us ).Spectrum display includes frequency Tilt and decibel range settings, as well as Speed and Resolution controls.Select a Reference track, which will be show as a purple curve inside the spectrum display.EQ curve is shown on a rainbow spectrum, with each band's color set by its frequency. ![]()
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